Dudley Stuart John Moore CBE (19 April 1935 – 27 March 2002) was an English actor, comedian, musician and composer. Moore first came to prominence in the UK as a leading figure in the British satire boom of the 1960s. He was one of the four writer-performers in the comedy revue Beyond the Fringe from 1960 that created a boom in satiric comedy, and with a member of that team, Peter Cook, collaborated on the BBC television series Not Only... But Also. As a popular double act, Moore’s buffoonery contrasted with Cook’s deadpan monologues.[1] They jointly received the 1966 British Academy Television Award for Best Entertainment Performance. They worked together on other projects until the mid 1970s, by which time Moore had settled in Los Angeles to concentrate on his film acting.
His career as a comedy film actor was marked by hit films, particularly Bedazzled (1967), set in Swinging Sixties London (in which he co-starred with Cook) and Hollywood productions Foul Play (1978), 10 (1979) and Arthur (1981). For Arthur, Moore was nominated for the Academy Award for Best Actor and won a Golden Globe Award. He received a second Golden Globe for his performance in Micki & Maude (1984). Moore was awarded a star on the Hollywood Walk of Fame in 1987 and was made a CBE by Queen Elizabeth II at Buckingham Palace on 16 November 2001 in what was his last public appearance.
John Bassett, a graduate of Wadham College, Oxford recommended Moore, his jazz bandmate and a rising cabaret talent, to producer Robert Ponsonby, who was putting together a comedy revue entitled Beyond the Fringe. Bassett also chose Jonathan Miller. Moore then recommended Alan Bennett, who in turn suggested Peter Cook.
Beyond the Fringe was at the forefront of the 1960s UK satire boom, although the show's original runs in Edinburgh and the provinces in 1960 had had a lukewarm response. When the revue transferred to the Fortune Theatre in London, in a revised production by Donald Albery and William Donaldson, it became a sensation, thanks in some part to a favourable review by Kenneth Tynan. There were also a number of musical items in the show, using Dudley Moore's music, most famously an arrangement of the Colonel Bogey March in the style of Beethoven, which Moore appears unable to bring to an end.
In 1962 the show transferred to the John Golden Theatre in New York, with its original cast. President John F. Kennedy attended a performance on 10 February 1963. The show continued in New York until 1964.
When Moore returned to the UK he was offered his own series on the BBC, Not Only... But Also (1965, 1966, 1970). It was commissioned specifically as a vehicle for Moore, but when he invited Peter Cook on as a guest, their comedy partnership was so notable that it became a permanent fixture of the series. Cook and Moore are most remembered for their sketches as two working-class men, Pete and Dud, in macs and cloth caps, commenting on politics and the arts, but they also fashioned a series of one-off characters, usually with Moore in the role of interviewer to one of Cook's upper-class eccentrics.
The pair developed an unorthodox method for scripting the material, using a tape recorder to tape an ad-libbed routine that they would then have transcribed and edited. This would not leave enough time to fully rehearse the script, so they often had a set of cue cards. Moore was famous for "corpsing" so, as the programmes often went out live, Cook would deliberately make him laugh in order to get an even bigger reaction from the studio audience. The BBC wiped much of the series, though some of the soundtracks (which were issued on LP record) have survived. In 1968 Cook and Moore briefly switched to ATV for four one-hour programmers entitled Goodbye Again; however, they were not as critically well-received as the BBC shows.
On film, Moore and Cook appeared in the 1966 British comedy film The Wrong Box, before co-writing and co-starring in Bedazzled (1967) with Eleanor Bron.[12] Set in Swinging London of the 1960s, Bedazzled was directed by Stanley Donen. The pair closed the decade with appearances in the ensemble caper film Monte Carlo or Bust and Richard Lester's The Bed Sitting Room, based on the play by Spike Milligan and John Antrobus. In 1968 and 1969 Moore embarked on two solo comedy ventures, firstly in the film 30 is a Dangerous Age, Cynthia and secondly, on stage, for an Anglicised adaptation of Woody Allen's Play It Again, Sam at the Globe Theatre in London's West End.